Photography that sells the product, not the photographer

• Product photography — clean, consistent, e-commerce ready, correctly sized and named
• Brand and lifestyle — the product in context, for social and campaigns
• Commercial shoots — interiors, food, team and workspace

A marketplace listing, an Instagram grid and a printed catalogue want different crops, ratios and backgrounds. We shoot and deliver for all of them from one session, rather than handing over a folder you then have to crop yourself.

A product range photographed across three sessions with different lighting looks like three different brands on a category page. We document the setup so the next batch of products matches the last, even months later.

From the deliverables backwards. A marketplace listing needs a defined set of angles on white; a social campaign wants fewer, stronger frames with room for text; a printed catalogue needs resolution and colour accuracy that a phone screen never reveals.

We agree the list first, then shoot once for all of it, rather than handing over a folder you then have to crop yourself.

A product range photographed across three sessions with different lighting looks like three different brands on a category page, and it is one of the fastest ways to look smaller than you are.

We document the setup — lighting, distance, angle, background — so the next batch matches the last, even months later and even if someone else shoots it.

Delivered in the sizes, crops and formats each destination needs, named sensibly, and compressed for the web without the mush that ruins detail on a product shot.

Photography that arrives as 40MB originals with camera filenames is a job half done — someone still has to do the other half before anything goes live.

Products should arrive clean, undamaged and in final packaging, with any variants you want photographed. It sounds obvious; retouching a scratched sample costs more than sending a good one.

For lifestyle and brand work we agree the look, the location and any people involved beforehand, so the shoot day is spent shooting rather than deciding.

Fewer than most catalogues contain, and more angles than most brands supply. A listing generally needs a defined set — front, back, detail, scale, in use — and repeating that set consistently across a range matters more than volume on any single product.

For social, a smaller number of strong frames beats a folder of variations. We will tell you which of the two you are actually short of.

Studio gives you control: consistent light, clean backgrounds, and images that sit together across a whole catalogue. On location gives you context — the product in a room, in a hand, in use — which is what social and advertising need.

Most brands need both, and the efficient answer is usually one session that produces both rather than two shoots months apart with different light.

You should know what you are allowed to do with the photographs before the shoot rather than discovering a limitation when you want to run them as ads.

Our commercial work is delivered for your own marketing use across web, social, print and advertising. Where a shoot involves models or a licensed location, any limits attached to that come with the quotation rather than in an email afterwards.

A first selection within a few days of the shoot, retouched finals after your picks, delivered as a link rather than a folder of attachments nobody can open.

Files come named in a way your team and your developer can both work with, in the sizes each destination needs, and compressed for the web without the mush that ruins detail on a product shot.